Sunday, October 31, 2010
Red Door Studio Drawing Session October 30th, 2010
Friday, October 29, 2010
Something Learned 2
Something Learned
Tuesday, October 19, 2010
Proofreading the document that nobody ever wants to read.
Dayton: Wednesday- Tripping the light “Eat-pa-pha”.
Into the Night with the Short arm of the Law
Monday, October 18, 2010
Thursday, October 14, 2010
Yellow Springs Ohio, The hippie lives eternal
Saturday, October 09, 2010
NYC-Friday: seeing, feeling, missing
Friday, October 08, 2010
Wednesday: NYC - Dinner and a Show
Wednesday:
Slept in until 9am Eastern Time. Went down and had some cereal and rye toast. Everyone here has freshly squozed orange juice. I have never experienced the like since Florida. Ohhh it was so good. I stayed with just the one glass so as not to rupture my sugar levels. Got cleaned up, and I headed out for the day, which was all planed out. I was to start with The Illustration House, Arcadia Fine Art Gallery, Forbidden Planet (comic book/toy/geek dom). If I am still standing after all that, the last stop was to be the legendary Strand bookstore. (I wasn’t standing, so I skipped the Strand).
So with Talcum powder freshly applied everywhere, even on my ears… I was ready for another brisk walk down to the Illustration House. Oh, did I mention that the Walking portion of Google Maps is Beta, I may have forgotten that because after 2 hours I was a bit over half way!!! But never fear, I stopped at a local deli that offered 2slices and a can for 4.99. My hope was that the slices were slices of pizza and not slices into my side with a box cutter. I was correct. It was 2 slices of cheese pizza, New Yawk style. It was good. I actually heard some older guy griping about stuff and actually say… “now I got a problem”… to which the owner came over and quickly calmed everything down and sat with the gentleman, served him his lunch and discussed local building history. I believe I may have been witness to a… transaction of some sort. So, I packed up and skee-dadled before jimmy the nose decided I was his next “problem”. It was good pie, maybe jimmy the nose spilt soda on his plaid trousers??? Probably not.
A nice younger man said, “Oh, you’ll want to talk to Walt. I’ll call him down.”
Within a few moments, the 248 year old Walter Reed sauntered down a flight of stairs. He couldn’t have weighed more than 110 pounds, had hearing aids in each ear… but with dead batteries in both. But could weave tales about each painting and each artist as if they were completed not but twenty minutes ago and he was there to witness it all. His eyes would light up as he would pick up each painting with a shaky hand. I was sure he was going to drop a couple of them. I held one or two as his grip wasn’t quite what he suspected it was. He would point out subtle nuances, tell of stories of the times and technique challenges or discoveries. He apologized for missing some of the pieces due to a show on pulp fiction illustrators that was shipping out this week. I graciously told him that I had come just to see his studio and the Society of Illustrators, there could be no disappointment.
Here is an account of the artwork that I got to see… ORIGINAL PAINTINGS, ALL.
· 3 Michael Golden Punisher Covers, drawn and Inked by Mr. Golden.
· 2 Bernie Fuches landscape paintings… The master. I almost cried.
· 2 Norman Rockwell charcoal finished drawings for the Post. Most people can’t paint as well as Rockwell drew.
· The Hildebrandt Brothers Lord of the Rings masterpiece where everyone is meeting at the garden of the elven city, and the two hobbits are crying… it is flipping huge. And the details are amazing. I think I had an accident when I turned the corner. Mr. Reed had to hold me up, not an easy task for a man 248 years old.
· A Norman Lindsey watercolor of a man fighting off a shark… black and white.
· Violet Oakley’s preliminary painting for one of her massive murals at Pennsylvania University.
· A Hayden Sunbloome pin up girl illustration. (Sunbloome was the painter of the coca-cola santa and the quaker oats man.)
· Several pen and ink illustrations: joseph Clement Coll, Charles Dana Gipson, A.B. Frost,
· Coles Phillips a disappearing girl in deep blue.
· And several of the pulp illustrations that had yet to be packed up.
Mr. Reed stayed and spoke to me for a good hour or more. What an honor.
a different Coles Phillips... very similar, but the girl is facing the other way and the background is blue... but the design and concept are of the same starting point.
Dean Cornwell... this baby is not as big as I have seen him paint. 20" x 24" maybe
I turned a corner and my insides started to quake when I saw this... the corners are actually tattered a bit. They painted to the edge of the board, no handling space at all. It is almost as wide as I am tall.
From there I cabbed it to the Arcadia Fine Arts Gallery. Just too sore at the time… and a bit too lost… I think the cabbie was too. But we made it. The gallery was much more clean, tidy, but certainly lacked the warmth and love of the works the way that Mr Reed had provided. Nonetheless, I did get to see some spectacular pieces by Robert Liberace, Malcolm Leipke, Jeremy Lipking, and Francis Livingstone. The paintings were stunning, make no doubt about it, but after having to follow a showman like Reed, Arcadia just was a room with canvases in it.
Forbidden Planet is one of 2 bookstores on earth. One resides in NYC, the other in London, Proper. (that’s England folks).
I needed a fresh head about me for the conference the next day, so I decided to walk back, and if I got a bit nervous I would hale a cab. The streets were active with mostly normal looking people. So I was able to maneuver my way back to the Hotel without incident. I did get so see my token “interesting” person of the trip… a shaggy man who had not seen a bath in a few days+ with a long flowing white beard and hair shouting warnings to us all about the end of days. Oh, did I mention he was dressed in carpet samples? Rolls of carpet runners, carpet squares, shag, short fibers, it must have been like wearing armor. Now THAT’s NEW YORK CITY, Dinner and a show.
NYC -Tuesday: somebody get me a leash
Sam Weber artwork from his 3person show at Society of Illustrators: Blow Up.
New York City… New York City? Get a rope, I need a leash.
Had a 5 hour delay in Chicago to get to NYC LaGuardia… so I didn’t get to my hotel until 1:45am Tuesday Morning. Somehow they didn’t have a confirmation for the extra night of Monday night… but they gladly put me up due to open rooms. With an extra minute or two, I was in bed.
The next morning I closed out that old account from a few hours before and switched over to the regularly scheduled program. Now I had the day to explore. I planned out the most efficient walking route down to the destinations… 3 the first day. The Forum Gallery, The Wendt Gallery, and …………………. The Society of Illustrators, you may genuflect if you feel the need.
I actually had a tonic water
at the Bar… THE BAR. I felt the entire time that somebody was going to yank me out of there in front of everybody… “You! Punk! What do you think you are doing in here?” But nobody ever did. They even chatted with me for a few words.
There were two antique book cases with ooooold illustrated classics in them. Rockwell’s version of The Adventures of Tom Sawyer, Someone’s illustrations for the Book of Birds… A book Titled Searching for Christy, about Illustrator, Howard Chandler Christy. And tons of others.
I was on such a high that I walked all the way back, not realizing that it was almost 3 miles back… until my body told me, Hey Stupid… this is a long hike back, and I am fat. But I made it. Bought some talcum powder, and took a nap. I awoke in time to make the hike back down there to Society of Illustrators for the Drawing sessions. Yes, with the Talcum powder applied, it made a world of difference. (and it was down hill).
I couldn’t tell you by name the famous people that were there, but you could tell by dress, hair style, and when I walked around the room, the old timers who just flat out were brilliant. There were about 8 of them in attendance. The rest were younger students… some were also really hot stuff. By the time everybody was settled in and working, there were probably 60 people?, yes… 60 people were there. Also live jazz was played. There were 2 models. Really good, both of them. They did classical poses, but could hold them well.
I am really glad I went. By the end of the night, I had produced a couple of drawings that were ok. For the time allowed, I am happy with them.